Things to do in Denver CO, where to go, who’s going to be there

2Q16 Showing Traffic - TShaffer [4151395]-page-001 (1)

Wonder why your home didn’t sell in a weekend? Here’s a bit of info on the summer real estate market. If you take a look at the graph you’ll see that showing traffic in 2Q 2016 is down quite a bit from the First Quarter of the year. This is no surprise, it’s been the seasonal trend for the last four years. Coming off of a super-heated real estate market this spring, the usual summer “slowdown” feels more dramatic than a political convention. If you’re “lingering” on the market for a whopping two weeks remember that listings don’t always sell in a weekend and not all of them get twenty offers, especially those priced over $350,000. Summer in Denver is not only the real estate selling season, it’s vacation time too! With so much to do in our lovely state, we get up, get out and go more often and our stressed out home buyers need a break. Showings tend to pick up again after the Fourth of July for those looking to make a move and settle in before school starts in late August. That’s the conventional wisdom coming from an unconventional gal.
What I have seen year-after-year is a strong autumn season for real estate sales when the summer buyers have either completed or delayed their purchase and those who want to serve Thanksgiving in a new home come out to play. Same goes for the end of the year when myth tells us it’s a bad time to list a house for sale. My experience has been that winter buyers are fewer, yes, but they are more serious and with our continued lack of inventory many will see the cooler months as a less competitive time to purchase a home. Look for more soon in my next Real Estate Market Update.

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Photo: Adams Visual Communications
To say that life is sweet and we are lucky is a sentiment reserved for the days spent looking backward. Rare are the moments spent fully present, when the experience and appreciation collide. This summer, in a 16,000 square feet warehouse in Denver’s RiNo neighborhood, a confluence of elements comes together to create a unique experience where life comes alive and the past is fully present. Presented by DCPA Off Center in collaboration with Third Rail Projects, Sweet & Lucky is a theatrical time ballet exploring the nature of love, memory and the objects that connect us to both. Lush, romantic, universal, metaphoric and delightful― there is magic happening here and you feel it.

Describing the event without giving too much away- not in plot spoilers, but careful not to interfere- is tricky for this is immersion theatre. Rather than the traditional sitting-in-the-dark-watching-actors-tell-the-story or the interactive style of Tony & Tina’s Wedding, Sweet & Lucky invites you into its world, takes your hand and guides you through it, while leaving space for the sound of your soul to fill the silence.

It is a story of love through decades and the moments that ultimately define us. My first venture into Sweet & Lucky took me on a deeply personal journey as touchstones of the central relationship reveal the heartaches, kisses, treasures and gratitude that make a life. Audience members are allowed to snoop around in the lovers’ psyches; reading letters, guessing outcomes, drinking in the ambiance a taste of the Sweet & Lucky cocktail created by Williams & Graham mixologist, Sean Kenyon.

Everyone starts together in the huge warehouse space, culled into smaller groups, and moved room-to-room as the twelve performer piece unfolds. Each room is its own environment, designed to evoke engagement through the senses with exquisite visuals, tasks, scents and “audio texture”, contributing to a deeply moving and dream-like evening, bearing witness to the core of the story and finding resonance in your own.

Given the opportunity to return, I took my son, August Witherspoon, curious to see how the evening would play in his open, twenty-two-year-old heart and compared notes over a cocktail in the post-show speakeasy. A few questions led us to the realization that we’d each tracked a different cast-

So we saw different actors playing the same story? I like that, and how you were left to fill in the blanks in what happened; we got different views of the same play. I love how as you’re taken from scene to scene, you start to notice trending objects; symbols and motifs become apparent the further along into the story you progress and wrap around again. Like how every sense is pleasantly utilized, from smelling the chamomile and lavender to the taste of the same herbs in the cocktail. I felt these things starting to have an effect on me― they were not only connecting the story together but they started connecting me to my own memories. You’re watching this story, putting together the pieces and becoming introspective into your own memories of loved ones. That’s never happened to me at the theatre. I realized how many memories I’ve made in my short time on this Earth, many of which I hadn’t thought of since the events themselves. It really makes you wonder what creates a memory, and how the more memories you make with someone, the closer you become with them. I guess that’s why they seem to never dissipate.

How true my son. We’re just spinning around on a rock amid the stars, without reason, making all the memories we can. Sweet.

SWEET & LUCKY is produced by DCPA’s Off Center, a commission of Brooklyn-based Third Rail Projects. Running through August 7 (at which time it must close) tickets are limited, non-transferable, and available at 303.893.4100 or online at www.denvercenter.org

Ever wonder what to do or what’s going on around town? Me too. That’s why I’ve created this easy cheat sheet for Denver Events running from July through October. You’ll find arts and culture, music and barbecues, pet-friendly gatherings and social soirees at your fingertips. Print it out, save it to your phone, grab your sunscreen, a blanket, a friend (furry or not), pack up the family or head out alone to any and all of these great events. They’ll remind you what makes living in Denver so spectacular!
Oh, and if you’d like to beat the heat looking at houses in Denver’s hot real estate market, we can do that too! I’m air-conditioned.

Denver Events July-Oct 2016 - TShaffer [219493]

[vc_row][vc_column][vc_column_text]It was less than 24 hours after the shock of The Purple One’s untimely death that the Denver Film Society announced they would open the annual Film on the Rocks program two weeks early to honor Prince with a screening of “Purple Rain”.
“The film was the thing from the first moment of the sad news”, says Film Society’s Festival Director, Britta Erickson. “We’d just announced our 2016 line-up, but it didn’t take long to pull the trigger on making a decision to add the show.” The epic event, and it had to be epic, meant securing an open date at the Red Rocks venue, negotiating the film rights from Warner Brothers, and pulling together some of Denver’s most talented musicians for a local all-star tribute.” Kristin Nolan stepped it to round up more than 170 performers from a wide range of musical styles, they rehearsed, sound-checked and jammed. In a syncopated collab between Denver Arts & Venues, Denver Film Society and Ms. Nolan, all of this happened in three weeks.
And. It. Was. Epic.
The Red Rocks Amphitheater became a lavender sea as fans and their families filled the seats, squeezing close together to accommodate the record-breaking FOTR crowd; a sell-out at 9000 within 24 hours. The party started appropriately when Andy Rok and the Real Deal took stage to with The Artist Formerly Known’s party anthem, Let’s Go Crazy, as we waited for the dusk to descend. So much more than Prince cover bands, each of the thirteen groups offered an original rendition— Flobots, Shady Elders, Ian Cooke Band with Kevin Johnson of The Bright Silence, Elin Palmer and members of Chimney Choir, Bluebook and more. Wheelchair Sports Camp brought the funk, others were spot on in style, spirit and soul; and some brought a more personal tack with their arrangements that, if not the immediate pop-song ear-worm, revealed the strength of Prince’s music. The Heavy Heavies brought me to my feet, while jazz singer and KUVO hostess, Venus Cruz, brought me to my knees.
The evening turned toward the sacred when 115 members of the Denver Gay Men’s Chorus took center stage for the grand finale; a splendid rendition of Queen’s “Who Wants to Live Forever”. Hearts were shaken and stirred. This heavenly choir stepped back, allowing the other 60 artists onstage for the title track of the evening, Purple Rain. The stars were out, the house was standing, swaying, singing, and by the time we got to the ooo-ooo-ooo-oooo at the end of the song it was as if there was a great shaft of purple light and love beaming from Morrison, Colorado to the celestial sphere.
Moments later, the movie started to a roar from the sated crowd and just as I remembered— Morris Day was campy, Apollonia was stunning, and Prince… my god he was a star.
Film on the Rocks opens its regular season on May 23rd with Grease and continues with summer favorites, The Big Lebowski and Ferris Bueller’s Day Off, cinema greats, Citizen Cane, standouts like Deadpool and closing in September with Star Wars: The Force Awakens. July 27th brings another tribute to another fallen star with the 1986 David Bowie film, Labyrinth. Summer nights just got epic.[/vc_column_text][/vc_column][/vc_row]

rsz_futura_photo_title_and_anne_only_[44058093]When Boulder theater artist, Amanda Berg Wilson returned to Denver from a decade long explore of Chicago what she found here was a lot of great theater. What she craved, was great theater with a Chi-town influence. “There was so much being done in Chicago while I was there, so much of it was unlike anything I’d seen before; exciting voices from playwrights telling multi-disciplinary, non-realistic stories that were offbeat and very theatrical.” That was then. Now in its fifth season, Co-Founder/Artistic Director, Amanda Berg Wilson and the cadre of artists who constitute The Catamounts, continue to surprise and engage like no one else in Denver theater. Drawn to the non-linear tale, this “Theater for an Adventurous Palate” has built a repertoire of edgy experiences for a loyal Denver/Boulder audience that is welcoming of the group’s esoteric, contemporary focus. And they FEED you.
I sat down with some Catamounts and began a chat about the upcoming production of Jordan Harrison’s play, Futura, with a slight detour diving deep into the differences between experimental theatre and performance art and the evolution of the avant-garde movement. “The concept of pushing the boundaries of theatrical convention isn’t new, of course, it just keeps changing” says Amanda. “Where we fit into this as a company is that rather than looking for stories that alienate, we’re looking for stories with a point of entry, for narratives that refine and defy convention while engaging our audience.” So far, so good.
Futura is the season’s second full-length offering; a dystopian allegory written by Jordan Harrison, directed by company member Meridith Grundei. A 2015 Pulitzer Prize Finalist for his play Marjorie Prime, Harrison takes us to the not so distant future where the printed word is illegal. Harrison’s obsession with fonts led him to an exploration of the art of pen-to-paper and the extinction of the printed word in a digitized age where online libraries, e-readers and the rapidly shrinking newspaper industry are the polar ice caps of a font-fetishist’s nightmare. Melancholy for a pre-e world and the collateral damage of the Information Age is a now a font of inspiration for millennial writers. Playwright Annie Baker mourned the loss of film to digital in The Flick, and though Harrison is currently on the writing team for the Netflix series Orange is the New Black, his theatrical forays continue to pay off.
I ask Ms. Grundei, to tell me about Futura and a world where the printed word cannot be written or even read. “It takes place in 2021, so not that far off, when the written word is virtually dead. On her first day back on the job after her husband’s gone missing, a University professor launches into a passionate rant about history, relevance and importance typography and the detrimental effects of the techno world on the human brain. Then she gets kidnapped.”
We continue into the topics explored on the play’s dark side: the ominous Big Brother, capricious Wikipedia and manipulation of information controlled by a select few. “It’s interesting because rather than being a manipulative polemic, we ask at what cost? Futura is a brilliantly written and thought-provoking play about the physical loss of the written page, our privacy in this growing technological world, and the beauty and sadness around the loss of something so simple as an ink smudge.” Says the eloquent Ms. Grundei. “A life without texture” say I. The Catamounts Executive Producer, McPherson Horle, adds, “The largess of Jordan Harrison’s ideas about government intrusion and the power of the written word would be gift enough, but the humor, grace and humanity that pervade this piece are truly remarkable. This is a hopeful story about the importance of human connection, and the art that flows as a result.”
Now tell me about the FEED. Berg Wilson picks up, “FEED is a multi-course, seated dinner where each course pairs a dish, a drink, and a performance piece. All courses revolve around a central theme, and live music weaves the whole evening together.” Go on… “We choose a theme, FEED: Fire, FEED: Illuminate” says Horle. “Then we create a palate of handcrafted food and a specialty drink inspired by that theme. We encourage people to experience the chef’s pairings and the performance- dance, music, literature- each element enhances and compliments the other. It’s truly magical.” I ask MacPherson Horle how that came to be. “Well, first off, we’re foodies. Foodies with an MFA.”
Sounds good to me!

Futura opens April 2 at the Nomad Theater in Boulder and runs through the 16th. Click here for tickets, schedule and special performance events.

It’s one thing when I tell you something and quite another when my clients speak for themselves. Over the past decade Kelly and I have worked to turn her real estate dreams into realities. From selling primary and investment properties to buying her own place to finding the perfect home for her blended family, we’ve had some great adventures! Now this lovely Park Hill homeowner shares her experiences working with me and TracysDenverHomes in four real estate transactions.  I love working with Kelly and she’s been wonderful about referring me to her family and friends. Forever grateful, Ms. Kelly!

A gorgeous Saturday on Larimer Square, you’d almost think it was springtime and lucky girl that I am, I got to sit down with two of Buntport Theater Company’s smarty-pants collaborators, Erin Rollman and Brian Colonna. The subject of our conversation should be their new show 10 Myths on the Proper Application of Beauty Products, but swiftly veers to mythological 80’s bands, creative cluster-f*cks and the beauty of Diana Dresser.
10MythsDugganDresserEdborgColonna
Joining in in this eggy-bagel-sandwich of a morning is musician/author/muse, Miriam Suzanne, whose book in a box, Riding SideSaddle, inspired this current offering.  Suzanne moved to Denver, identified Buntport as kindred spirits and managed to squidge her way into working with the group soon after. Her dark, indie trio, Teacup Gorilla, provided theatrical soundscape for the ReTriplicate performances, inspired by the Clyfford Still Museum  Repeat/Recreate exhibition and now she’s moved front and center.  10 Myths on the Proper Application of Beauty Products is the opener, adapting, supplementing and riffing on themes introduced in Suzanne’s non-linear , “open source” Riding SideSaddle tale, written on 250 index cards to be read in no particular order.

Following a group of friends that resist order, category and completion, this play weaves myth and storytelling with every day rituals. It is about people deeply in love, suffering loss, celebrating strangeness, all while they pluck their eyebrows. It is about the Greek myth of Salmacis and Hermaphroditus, who are merged into “one being of both sexes” and about what we see when we look in the mirror. Oh, and the whole thing is underscored by a three-piece band standing in the bathtub.

After a nine-month hiatus to focus on different kinds of creative endeavors- a book on collaborative writing, among them- Buntport Theatre Company returns for their fifteenth season and three back-to-back original shows…because apparently, they missed the joys of summer stock. As a writer, I’m insanely jealous of Buntport’s talents and asked them about their process in hopes I could channel my inner voices into a collaborative style of my own. “It’s always the same” says Rollman. “We get together for a pitch session to see who’s thought of something interesting-“, “And then we Google it”, bumps Collona. Once a topic is chosen, they go their separate ways to research and write singularly, sending their individual offerings to Erin who edits it into a kind of first draft cohesion. “That’s where we start the rehearsal where we rewrite, reshape and revise.  A lot”, she continues. “When it comes to casting, we start with ‘anyone want to play something specific?’ and fill in around that. Usually it becomes clear who should take which role.” (I can’t imagine this happening in many other groups.) Which brings us back to Diana Dresser… “We started working on a different piece with Di, which kind of fell apart. It’s back to the morphing kind of thing our shows go through. We’ve always performed as ensemble so having Diana Dresser and Michael Morgan joining us in  10 Myths is a great and different kind of stretch for us. I’m sure our way of working’s been a bit different for them, too.”

10 Myths on the Proper Application of Beauty Products is the first full-length show of Buntport’s 15th Season, followed by a one-person-piece about a museum guard called The Rembrandt Room, where Erin Rollman goes solo. The ensemble comes together again for the third installment, Greetings from Camp Katabasis, an epic exploration of descent and ResussAnnie.  Don’t ask, just get your tickets. Because when Buntport Googles, people listen.

10 MYTHS ON THE PROPER APPLICATION OF BEAUTY PRODUCTS runs March 4-26th. Tickets available at Buntport Theater Company

Join us at Buntport Theatre when The Card Table opens on March 19th from 3-5pm. We’ll gather, start the schmoozefest and then read from Miriam Suzanne’s book in a box. Because it’s written on INDEX CARDS! You don’t need to bring anything but your reading glasses and maybe a few bucks to toss into the hat for that ‘do-good’ feeling.

 

“Let’s Dance…”rsz_rock_ballets_photo

Wonderbound had scheduled the Rock Ballets into their 2016 season well before the world heard the news. In a perfect confluence of time and space, sound and vision, Artistic Director Garrett Ammon’s ballets, set to the music of David Bowie and Queen take flight a month after the legendary artist’s ascent. The popular program has been here before, but you haven’t seen it like this.

Not only will the Wonderbound supernova perform these stunning works, the music will be played live by a supergroup comprised of Denver’s Chimney Choir and  the Ian Cooke Band.The music of Queen and David Bowie will be featured along with original tunes by both bands.

Can you imagine the kinetic imagination of Garrett Ammon set free to the lyrical strains of Queen’s “Love of My Life”? Gives me goosebumps just thinking about it so I’m sure that when the dancers take stage for “Bohemian Rhapsody” I’ll be in tears, and “We Are The Champions” should give me a chance to pick myself up off of the floor.Ammon’s star shines in “An Occasional Dream,” delving into one of the most famous tales of history and Bowie’s edgier songs, “Life On Mars,” “Time” and “Space Oddity” while Wonderbound Company Artist Sarah Tallman opens the night with her creation , “Unbroken Sky”. This world premiere will feature songs created by the supergroup septuplet of Chimney Choir and Ian Cooke Band and will evoke the explosion of the Beatnik generation.*snaps*

 “We are very excited to be a part of ​ Rock Ballets ​ . It will be a lot of fun to team up with Ian Cooke Band and reinvent some of the classics.“  – Kevin Larkin, Chimney Choir 

And if that’s not enough, Leon Gallery  has curated Denver Artist Mario Zoots for an exclusive exhibition of new works exploring themes from old Rolling Stones issues from the Bowie and Queen eras. (Oh great, now I belong to an ‘era’).

Rock  Ballets ​opens February 13 and will run for five (5) performances throughout Denver. More information on the production can be found at wonderbound.com​ .
If you can’t wait, stop by a limited seating Teaser at the Wonderbound Studio at Junction Box, for a taste of what the full-length performance will hold. Teaser #9 is on February 2, 2016 at 6:30 pm.

new-year-2015As the clock ticks toward year’s end, it’s time to review the 2015 real estate market.
When someone asks me how the real estate market is, the cocktail party answer is that it’s been a very pleasing 12 months and future looks bright and shiny. Because the economic news is good our Denver Metro real estate market is projected to stay strong but not overheat. I’ll share some of the metrics I use to evaluate the market and understand it better, describing what 2015 looked like and where I think we’re headed.
Market strength–2015 was an extremely strong seller’s market. The market strength peaked in the spring when the bottom dropped out of our inventory and multiple offers were all the rage. Frustrating for buyers who felt they had to give away so much to stay competitive, the good news is that the market reacted appropriately and became more balanced as the year progressed. With prices on the rise, sellers were motivated to sell as we approached the fall so the market cooled with the start of school and the weather. It is still a strong seller’s market, but far more in balance. I expect 2016 to continue along this line and see no sign of a major imbalance that could lead to any sort of ugly peak and crash. Sellers should get a good price for their homes and replacement properties should not be as hard to find.
Buyers– Real estate website Trulia says that buying an average home in Denver is a whopping 38 percent cheaper than renting a home! For the average home, the interest rate would have to skyrocket to 11 percent for renting to become cheaper than buying, meaning that it is currently MUCH more affordable to buy than to rent. Even with current prices and current rents, interest rates would have to nearly triple to make renting more affordable than owning. (Call me if you want to talk about this.)
Sellers-Can’t say this enough: the most important thing to prepare your home for sale is to get rid of clutter. This includes furniture. You may have learned to live with that cherished armchair stuffed into the corner but a professional stager will often times whisk away half of your furniture. The house looks so much bigger for it, leaving space for a buyer couple and their agent to tour the home without bumping into each other, and space for their imaginations to make it their own. You don’t have to go “Stager drastic” but take a hard look, be objective, and see what you can live without. Painting always pays for itself and statistics show that springing for a staging company is often a good investment.
Rental Vacancies– The rental market is stronger than it has ever been in metro Denver. The vacancy rate for 1- to 4-unit properties is an extremely low 2 percent. That’s a drop from the already 4.7% we’d been experiencing for the past few years. On top of this, rents are rising faster than ever, up 30% in the past three years. With rents equaling a mortgage payment, we’re seeing more renters making the decision to buy. Why live waiting for another rent increase, tough competition and another application process without building any equity? Many homeowners who lost their homes in the downturn and have been renting, are becoming eligible to purchase once again. This is great news for the market and will certainly lead to more sales in 2016, though the influx of buyers insures a continuing seller’s market.
Interest rates– No one knows exactly what interest rates will do in the future but my best guess is that they may rise a little in 2016, but only a little. Remember that the Federal Reserve has control over only short-term, not long-term interest rates. Even if the Fed raises rates, that doesn’t directly affect the 30-year home buyer interest rate you are concerned with. Long-term interest rates are affected by the bond market (as bond prices decrease, interest rates increase) which, frankly, is not predictable. Understand though that interest rates are at near 50-year lows so they are highly unlikely to fall any further. All we know for sure is that someday they will go up.
The Economy– No matter what you may hear in the months leading up to the election (places hands over ears), right now the metro Denver economy is very strong. This is fueling our terrific real estate market and the rising population of our city. The unemployment rate is extremely low, about 3.5 percent. Inflation will stay in the range of 1-2 percent, our population is rising at a rate of 50,000 people/year and consumer confidence continues to rise. Nothing can be better for the housing market than a strong and steady economy.
Mortgage -The single most important number for a home buyer is their FICO score. For good or bad, your FICO plays a major role in your ability to finance your home purchase. Your credit score is a snapshot taken by the three leading credit bureaus, TransUnion, Equifax and Experian, to help lenders determine what sort of credit risk you are. Your FICO is a number between 300 and 850 and is calculated by a complex algorithm assessing your past credit history. Most home lenders will consider a score over 700 to be excellent while scores below 600 are considered poor. The better the score the more credit will be extended, at better terms, with a lower interest rate. The best credit terms are extended to consumers with scores above 740. Therefore, it’s critical to understand what your FICO is and what you can do to improve your score. When I work with buyers I help them understand the factors affecting their score so they can work to improve them. I can’t think of a better investment in your future than to spend a little time working on your FICO score.
Here are a few tips I give my clients:
1.Don’t max out your cards, try to keep them under 50% of available credit. Running high balances can severely impact your FICO.
2.Continue paying your bills on time.
3.Don’t apply for new credit or cancel an old card because length of credit helps.
4.Pay down high balances.
5.Dispute and resolve any inaccurate items in your credit report.
6.Invest in a credit monitoring company to track the changes to your score.

rsz_winterThe Denver holiday season is upon us, a time when the darkest days lean toward the light, and heaven knows we need it. The past month tempts me to turn off the news, flop on the couch and Kurl up with the Kardashians but I’m craving a more fulfilling escape. Something sweet. Something magical. Something with the power to remind me of more innocent times and feel better about the state of mankind. I need a miracle.

Philip Pleasants as Ebenezer Scrooge. DCPA. Photo Credit: Jennifer M. Koskinen

Philip Pleasants as Ebenezer Scrooge. DCPA. Photo Credit: Jennifer M. Koskinen

I’ll start with a stroll through the lights, lots of ’em. Denver Zoo has doubled the size of the Zoo Lights and if the weather allows me to feel my fingers, perhaps my heart will melt a bit, warmed by the artistry and cocoa.

Charles Dickens favorite ghost story, A Christmas Carol, haunts the Denver Center once more. This year’s wassail will be just a bit sweeter as Philip Pleasants takes his bow as Ebenezer Scrooge. Delighting Denver audiences for the past eleven years, Pleasants feels it’s time to put the Ghost of Christmas Past behind him. Now, I’ve seen this show. I’ve read the book, I’ve seen the movies—from Albert Finney to Michael Cain—and I’ve never been more delighted than watching the talented Mr. Pleasants explore the complexities of the human soul. Truly despicable, authentically redeemed, I’m not sure there’s a more apt Christmas story for the 2015 holiday season.

One winter’s tale is sure to sweep me away as Garrett Ammon’s magpie lands on the windowsill once more. Wonderbound’s Winter is a stunning gothic fairytale of love’s loss, the fire of passion and the souls lonely search to find it once more. Performed in their home space, Junction Box, the experience becomes intimate, vibrational as the dancers engage and envelope the audience, just as the fairy cursed into the guise of the magpie wraps true love inside her wings. The original composition, written by Denver Singer/Songwriter Jesse Manley is elegant and haunting, winding you into this sensual allegory of the season. Ammon’s collaborative spirit brings Kristopher Collins to the house to surround the space with a collage of mysterious projections creating a world of layered reality. Scents, curated by Michelle Roark, and flavors provided by local eateries are part of the journey, rounding out the sensory experience. Winter is stunning and unlike anything I’ve seen. This gorgeous, masterful fairytale allowed me the privilege of going deep into the dark of winter, and the hope that spring would come again. Running on December 8-10 & 15-17 with two shows a night, audiences will have the opportunity to choose between an appetizer and dessert show. Tickets here.

If snark and Sedaris is your cup of nog, there’s the Santaland Diaries, a one-man show starring Michael Brouchard as the grumpy Macy’s elf voicing all we hate about the whole affair. An irreverent, hilarious, and somewhat bitter little candy cane, guaranteed to make you smirk.

Another Denver Christmas tradition, Balls! wraps up a six year run as some of Denver’s finest and funniest performers gather their sock puppets for an evening of story, song and Christmas spirit. This year’s beneficiary is The Gathering Place as Balls! rolls into Lannie’s Clocktower Caberet for two nights, Dec. 7th & 14th, doors open at 6:00 to enjoy the food and full bar, show starts at 7:00. Tickets here.

There’s so much more to do in our little postcard, the holidays look good on Denver. But this is my list of the naughty and nice, sure to pull me off the couch.
“God bless us everyone!”