badass bardTheatre’s obsession with Shakespeare, coined ‘bardolotry’ by George Bernard Shaw, has always escaped me. While Voltaire called his work “an enormous dunghill”, my aversion to Sir Will is far less eloquent. Not knowing my First Folio from my “What ho Malvolio”, I’d quipped “I hate Shakespeare” in defense. “You don’t know what the hell he’s saying, he takes too long to say it and you know what’s going to happen in the end”. But truth is truth… it’s personal.
When I was a student at the Stella Adler Conservatory of Acting in New York City, I was enrolled in the requisite Shakespeare class. Our teacher heaped praise upon the European students, fawned over the Renaissance Faire maids as they flitted twixt texts, winked at the tinfoil swords and paper crowns, taking delight in our dalliances. He found the good in everyone’s work… everyone but mine. It seemed that no matter what scene I chose or how long I’d rehearsed it, I’d leap “Once more unto the breach” to a tragic ending. I can’t tell you how many times I rushed out of the building to hail a taxi and hide my tears, or how much it cost in cab fare to sob my way home to Tribeca, but it felt like a pound of flesh. As this wasn’t the case with my other acting teachers, I was left to assume at Shakespeare I sucketh.
Being Stratford-upon-Avon challenged, I’ve managed to work around my shortcoming and carve out decades of work on stage, in film and on television without ever trodding the boards for the Bard. Until now.
I was at Water World when the call came in. It was the Denver Center Theatre Company with the offer of a role in “Romeo & Juliet”. I snorted my slushy out my nose, choking back surprise along with terror. “Me?” I asked. “Are you sure?” They were, revealing I’d be playing Lady Montague. “Is that Romeo’s mom?” I asked, trying to recall the Franco Zeffirelli film I saw at the drive-in lo these many years ago. “It is.” came the reply. Hmmmn. The play is’t called “Romeo’s Mother” so I can probably pull it off, I figured. Some rhyming verse, a ruffed collar and losing my metaphorical maidenhead beside men in pumpkin pants made it too saucy to resist. “Why not?!” I blurted out before they could catch their mistake.
There must be a million things we’ve held ourselves back from over some misconception of our youth, Brussels sprouts for example. Schoolyard taunts and misspoken remarks of friends and lovers twist the view we see in the mirror. I’m sure my teacher had no idea the lasting effect his critique would have on me, but I made the choice to break up with Billy Bardy, didn’t I? Shakespeare, like the bitter cultivar, may be an acquired taste but so is the taste of freedom from all that crap. Maybe, in spite of the Mayans, life goes on, stretching itself out to give us the time to circle back to find the sweetness in what was sour and to savor it.
Sitting at the rehearsal table with a talented group working through the script I find myself thinking… This guy’s pretty good. This guy’s badass, even if I do know how it ends.

Romeo & Juliet runs January 25-February 24, 2013 at the Denver Center for the Performing Arts.

greetingsLast Christmas I did the shopping, the wrapping, the decorating, the tree cutting, light stringing, bulb hanging and pine needle sweeping all in that mythical land of “spare time”. I remember collapsing into the couch one evening with a glass of wine and a cup of resentment, ready to smash every Christmas CD and swearing I’d never do it again. Why in the name of the Sweet Baby Jesus should I go dashing through the snow to fight for a parking place and the last Xbox game to feel guilty for spending too much money? It’s been a long time since Santa graced our chimney and we don’t celebrate it as a religious holiday, so what is it then, peer pressure? My sons have more than they need yet somehow I’ve been duped into thinking I must add to their infinite taste for consuming so they won’t be disappointed on Christmas morning. Spend the money now or on therapy later.
This year wants a lot more laughter and a lot less stress.
I’ve always loved the hunt for something surprising and special, the delight on the face of its pajama-clad recipient and the Christmas memory that lingers. When the boys were little Santa brought the highly-coveted goodies from his workshop while mom replenished the sock drawer, but as they grew up, those Legos became laptops and the joy of giving became the dread of obligation.
Honestly I don’t have bad kids, but like most middle class kids they are part of the generation who feels entitled to an Xbox or an iPod or a smartphone; whatever the latest invention served up to our youth for consumption. When did that letter to Santa morph into the “list of things mom should get me or she’ll feel like crap on Christmas morning”? It makes me sad. Maybe even sadder than the boys would feel if I pulled the plug on this whole string of blinking lights. I’m not sure if I have the ornaments to go that far, but I can make this be a Christmas to remember.christmas tree
This year will be more about giving than getting.

So on December first, in the spirit of renewal and re-connection, I popped the Sarah McLaughlin CD into the player, gathered the boys around a pot of coffee to talk about changin it up this year. “Rather than me producing the Christmas extravaganza while you kill zombies and aliens, why don’t we do something different? Ya know, do something good in the world, create something memorable, maybe have a little fun while we’re at it?” Rather than ask what they want, I ask what we can we give. I hear the sigh as the cheek hits the table; this isn’t going over too well. I dig deeper. “What do you think gives Christmas its magic? (Beat.) What do you want it to be about this year? I could have served up a bowl of boiled brussels sprouts for the same reaction. Mother’s getting desperate. “How ’bout a Twelve Days of Christmas where we exchange small things, or funny gifts?” I ask, trying to mask my ridiculous cheerleader expectation. *ping of incoming text* “What about a movie night? Doing something for charity?… Scrabble?” *sigh* “Can we go snowboarding?” Witherspoon fils queries.

This year there will be no presents, there will be gifts.
Somewhere between the end of the world and the fiscal cliff I vow to bring a kinder, gentler and cheaper holiday experience to our hearts. Rather than sweat it out at the mall, we’ll work it up at the holiday skating rink. Rather than online shopping, I’ll Google “Things to do in Denver in December”. We’ll return to the things we did when they were young and full of wonder- Zoo Lights, the Nutcracker, Christmas Eve service–each event building anticipation of the big day. It’s harder now, exhausted by the eye rolls and resistance. Maybe the magic isn’t gone, just lost in Teenville.
This year there will be no electronics, there will be turn-ons.
As a nation of stressed-out spenders, constantly bombarded with the notion that we must impale ourselves on our credit limits, strive to meet over-inflated expectations, and lose our connection in the process. If Jesus ain’t the reason for your season, American Express and Martha Stewart will gladly step in to take his place? I don’t think so, not this year. What if I took back the wonder? What if we discovered time within our crazy schedules, replaced the standard with the unusual and mixed the kitch into the cookie dough. What if we watched “Elf”, made tacky Christmas sweaters and wore them around town? What if what we gave to one another came from the true exchange of our gifts?
This isn’t a new thought, I know. Every year Hollywood cranks out a heartwarming holiday tale extolling the miracle of the season, the simple things that give it meaning, and for forty bucks sans popcorn, you and your family can be reminded of this.
It is something to think about. As you’re driving around the parking lot looking for a space.


There, I said it.
Having been raised in California during the creation of Lyndon Johnson’s Great Society by a mother who boycotted grapes, burned her bra and canvassed for McGovern might have something to do with it, though I’ve had plenty of years to examine my beliefs and to own them. Being a Democrat doesn’t mean I want to tax the wealthy at 50%, decimate the military, or take away your gun and sell it to an illegal alien who’ll pay for it with his welfare check , shoot you in the foot to rob you of your tax money while I’m eating bonbons at my best friend’s gay wedding. But I don’t believe compassion is a character flaw.
I love politics. As a real estate agent I’ve heard to keep them off your Facebook page— ya know, just so you don’t “alienate business”. Okay, I get that, I just don’t ascribe to it. When you run your business on the like-finds-like model of tribal attraction and relationship building, dialogue is critical. Criticism and cynicism are not. Though some of you are sure to disagree… I like to engage rather than provoke, try to keep the mix thoughtful, informative, humorous without the memes and not too snarky. I am not always successful, though admittedly biased. I welcome differences of opinion so long as they’re not rude or cruel, because I feel we need to practice civility by bringing our ideas forward and being held accountable for them. Disagreement is good if there is a willingness to listen and if not, you can usher personal attacks on friends to the door or sponge the haters off of the thread. As a businesswoman in a field populated by Republicans, I find my less vociferous left-leaning friends whisper to me at the water cooler, “I love reading your posts. I wish I could do that but, you know…” and I do… kind of. Perhaps I should keep that “separation of church and state” idea in mind when it comes to social media but I prefer that First Amendment thingy. Don’t you think honesty is a valuable trait in a real estate consultant? Wouldn’t you rather have someone who is relentlessly honest with you, even if it means telling you the house you love is over-priced and sitting on a toxic waste site? Negotiation is not for sissies and you can tell a lot by how one handles their Facebook wall. Having the courage to own what I believe in comes from the same part of me that will always take a stand on behalf of my clients and makes me good at what I do.
33.3% of all Americans identify themselves as Democrats, though it doesn’t follow that the term “Liberal” should be liberally applied to all of us any more than “Right-wing” fits every one of my GOP affiliated friends. I believe in fiscal and personal responsibility, in global warming, social safety nets, civil liberties, equal pay, and government regulation (because if the housing crisis taught us anything, it’s that human nature doesn’t always lean to its better side). I don’t believe that being there for one another is a character flaw.
The best hope for this country to right itself again is by admitting that neither side has all the answers. That just because I see the world differently, doesn’t make you wrong and visa versa. As long as we defending our absolutes, rather than championing our possibilities we will never be able to find solutions to the problems that keep us from being a truly Great Society. We must stop yelling at one another; regurgitating talk radio, cable news and partisan websites as if the ideas we’ve co-opted are our own because preaching platitudes is never the path to original thought. We must have the courage to look beyond the propaganda and seek to discover what we really think and why, and share it in an effort to understand rather than be right. Or as my proudly liberal mother used to say “A problem is never solved in a shouting match.”
In a matter of hours, hopefully not days, we will know the outcome of the 2012 election, and if the polls are correct they’ll be a dead heat of anguish and exhilaration. The spinners will spin and the snipers will snipe and both sides will keen it is the end of the world, and wouldn’t it be nice if it were? If we let go of the adversity and reclaimed the civility and manners that our parents taught us, perhaps we could teach Congress a thing or two. *snorts her coffee*

Vincent van Gogh Basket with six oranges, 1888. Oil on canvas, private collection, courtesy of Heather James Fine Art.

The mention of Vincent van Gogh brings a flurry of things to mind: a coffee cup, a mouse pad, an umbrella, memories of Starry Night at the MOMA, the days of my youth spent in Amsterdam and the alley in Paris that looks like The Cafe Terrace on the Place du Forum (which was actually in Arles). Whatever your mind conjures up it won’t hold a (chair and) candle to what you’ll see at the Denver Art Museum’s new exhibition,
Becoming Van Gogh. As the Art Museum says it–

Organized by the DAM and curated by Timothy J. Standring, Gates Foundation Curator of Painting and Sculpture at the DAM and Louis van Tilborgh, Senior Researcher of Paintings at Amsterdam’s Van Gogh Museum, Becoming Van Gogh brings together loans from more than 60 public and private collections from across Europe and North America to tell the story of a number of key formative
periods throughout the artist’s career.

As I would phrase the experience–

Vincent van Gogh, Vase with Gladioli, 1886. Oil on canvas, Van Gogh Museum.

A wondrous journey through a genius mind.
As the viewer follows the development of an artist, she also shares the journey of a passionate craftsman. There are the familiar paintings, landing in the collective haystack of what we understand to be “Van Gogh”, and then there are those which transport us to the moment of their creation; some studious, some spontaneous, others give us Van Gogh’s point of view as he shifts his sense of place. Sketches of female nudes, and humble oils of vases full of flowers bring the cloudy Dutchman into the mastery of living color. Parisian open space from the hill of Montmartre and Le Moulin de la Galette, Potato Eaters and wheat fields, still lifes and self portraits fill frame after frame as we progress toward the Van Gogh of legend. It is midway and the Basket with Six Oranges that stopped me still as it radiates from the canvas and bounces off the wall. Might be the most amazing thing I’ve seen since… well, just since.
Van Gogh is a harsh beauty, rough and delicate at the same time, like life. The complexity of his evolution is captivating, there are multiple moments in this show that will bring you to tears if you let it, for it’s not a story of being, it is the story of becoming.

Vincent van Gogh, The Blute-fin Mill, 1886. Oil on canvas, Museum de Fundatie, The Nederlands.


I don’t know how they keep doing it, but this is another DAM exclusive and your only chance to see this show. Timed tickets are essential, advance purchase is a must. I’ll revisit, even with the throngs it will be worth it. My fantasy version is a Night-at-the-Museum sleepover where I could wander through the wonder in my PJs, or lay in front of a painting and ponder. Something tells me that’s not gonna happen.
Becoming Van Gogh runs now through January 20, 2013 at the Denver Art Museum

It’s late October in a very tight presidential race. Pols shift twice in the same day and the election is coming down to swing states and undecided voters, though I’m not sure exactly who these people are. The issue is not that the Democrats and Republicans have successfully laid out their vision for the next 4 (or 8) years, because neither of them has been too clear on that, or that I don’t think it’s really important and has a profound impact on my future, because it does. I know. It does. The issue is… I can’t decide. Really?
I consider myself decisive and spontaneous in general, but I am slow and deliberate when it comes to making the big decisions, gathering all available information and trying on perspective outcomes in the dressing room of my mind. When weighing out the cost/benefit ratio of a situation, what is it that makes one finally take a stand, or take action?
The word ‘SALE’ has some power over me, at least it gets my interest. Once piqued I am swirling through the— Do I need it? Do I want it? Does it solve a problem? Is it cheap enough?— cycle until either I buy or walk away. Even when that “One Day Only!” sale fills me with a sense of urgency, I know I can always come back…like to next month’s “One Day Only!” sale.
So what about the big things? Deciding on a president or buying a house? (You knew I’d go there)
I have binders full of buyers, debating over whether or not its time to get off the fence. Right now Denver Colorado is in the top five cities leading the housing market recovery. Home prices are rising steadily, foreclosures are in decline, inventory is low, the home affordability index is high and the money’s on sale. What questions do you need to ask yourself before you take the leap?
Beyond the “One Day Only!” hype, buyers who’ve waited for the market to hit bottom (so two years ago) have a sense of urgency to make a good investment before the window of opportunity closes. With the release of pent up demand (sounds very “Fifty Shades of Grey”, doesn’t it?) sellers who’ve waited out the storm have built back some lost equity and are feeling more confident their home will fetch a fair and decent price. There are more bidding wars and high-demand neighborhoods than I’ve seen in five or six years and that feels good. The crush of summer housing sales gives way to autumn when the market slows a bit, leaving the serious buyers and sellers. Its a very efficient time for me as a real estate agent, often producing my best quarter.
I know home ownership is not for everyone, nor is real estate investing, but when you’re in an historical sweet spot to buy and hold real estate, it may be time to make a decision before you turn into a pumpkin. As for that voting thing… oh, I’m not goin’ there.


I am (where real estate is involved) lucky in love. I’m not talking about the beach house I got in the last divorce *winks* but how often I find Cupid at the closing table. It takes work to find a house with everything on your buyers’ wish list, but it’s nothing short of kismet when the brother and sister selling their father’s home meet the mother and the two kids who’ll soon be hanging out in the tree house their father built. Every home has a tale to tell, and when that love story moves from one chapter to the next as gracefully as a Jane Hamilton novel, you know you’ve made a “love connection”.
Manufacturing love stories between buyers and sellers… that can be a tricky matter.
Perhaps it’s the rise of social media, where everything is suddenly shared, or the result of Denver’s revived real estate market where the multiple-offer situation has made a comeback, but the latest accessory to go with an offer is not an earnest money check, it’s… The Love Letter.
I had a few of these cross my desk when the market was struggling. Sellers, desperate to sell and worn down by the reality of their diminished property values, were thrilled to hear those four little words, “We have an offer”. Until the contract hit my inbox, followed by a “We really, really love you house, we just don’t want to pay much for it” letter, which usually left a sour taste in and brought a few choice words out of the sellers’ mouths. I’d say it was the real estate equivalent of Fifty Shades of Grey; lousy writing and you know someone’s about to get screwed.
Enter the hero. The market shifted, and so did the tone of this tome. With multiple offers a common occurrence, buyers (or their agents) believe if they add a bit of folksy insight into who they are— Their years in Seminary, how he fell in love with the garage, she with the garden and how the shed is perfect for their chickens— that flattery will give them an edge.
Now everybody’s got a gimmick, I get that. The homeless bear signs—“Homeless Vet” “Dog-lover”, “God Bless” (complete with Ichthus), or “Will Work for Beer” aiming at their niche market, their tribe. Buyers try and create some commonality with the stranger who currently occupies their dream home, or perhaps they’ve lost the past three offers and are looking for something other than raising their price to cinch the deal. Call me old fashioned, but isn’t that the Realtor’s job? I consider it my job— make that my sacred duty— to not only find my clients the right house, but to put together a fair and decent offer and present it to the seller’s agent, along with a persuasive argument on behalf of my buyer. That is the opening move in a strong negotiation. If I’m worth my salt, of course my clients will be over-the-moon with excitement at finding their dream home, but once we bring the personal into an already emotional business transaction, I fear the salt/wound proximity increases.
This idea of including a buyer’s note is circling around my office like a chain letter, and I don’t care if the world will end in ten days or killer bees will take over the Volvo, I’m here to break it. There are plenty of opportunities for good real estate agents to share your passion and exchange drawings of the chicken coop. To a seller the passion you feel is reflected, not through an effusive statement that your Goldens must have come from the same litter, but by strength of your offer.

If you’ve never had the joy of experiencing Ballet Nouveau Colorado’s Carry On with Paper Bird, you should consider giving yourself a gift. A dreamy collaboration of spirits which weaves the innovative choreography of BNC with an original score from indie folk fav, Paper Bird. Part love story, part natural phenomenon, it’s as magical as the Aurora Borealis on an open plain.
Read more on my Huffington Post blog as I kvell about the show and my conversation with Ballet Nouveau Artistic Director, Garret Ammons.
Carry On with Paper Bird, one night only. Friday night 9/7, at the Ellie Caulkins Opera House, presented by Arts & Venues Denver as part of the Western Arts Alliance Annual Conference. Tickets to one of my favorite things on the planet are available through TICKETMASTER.

No matter what your politics, Clint Eastwood talking to a chair was absurd. I’m not talking about what he said or the mismanagement of prime TV real estate by the RNC, but the fact that an actor of his magnitude went on stage in front of an audience of millions and millions of viewers totally off script is mind-boggling.
The common misconception about actors that we’re all extroverts who can spontaneously extrapolate on any subject at will, but the truth is most of us need a script. The beauty of the art form, and as a director Mr. Eastwood should know this, is that an actor has the ability to go deep into the ideas of the story, wrap themselves in the intricate details of a character and produce an effective rendering of truth from the point of view of his/her character. Of course there are times when improvisation is fitting, mostly in rehearsal. We’ve all heard the stories of the films where it has brought forth brilliant results. Why? Because the actor knows the script and is immersed in the role.
I have no doubt that Clint Eastwood’s personal beliefs are very close to those he brought to the Tampa stage and because he wasn’t in character, apparently he thought he could wing it. He could not. His “performance” showed this as he went “Every Which Way But Loose” cannon on the RNC. News reports say his decision to introduce the infamous chair (an old acting school exercise) was a request made in the wings minutes before he made his entrance. If that is so, it speaks to a grand lack of preparation on his part; can you imagine what he would do to an actor who showed up on his set with similar nonchalance?
As an American Icon, I expect more of Clint Eastwood. After decades creating indelible characters, infusing our lexicon and delivering film after film with precision as a brilliant director, I am disappointed that he missed the opportunity to make his points with the well-planned (and rehearsed), scripted and powerful speech he is capable of rather than the bumbling ramblings of doddering old man. Though our opinions may differ on many things, that is a speech I would have loved to have seen.
Note: Unless you are playing the role of Elwood P Dowd in “Harvey”, conversations with invisible friends is a bad idea. Oh, and someone please tell me Clint didn’t see anyone in that chair.