Theatre reviews, what’s playing at a Denver theater near you.

Tracy Shaffer
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Are You Busy? Or Productive?

I have my sons fifty weeks a year, so the time without the demands of motherhood is always at a premium. I set out to use it wisely, make a to-do list and then return from the airport run to crawl under the covers for a quick nap. The week progresses, the list morphs, and I home in on how to use my precious time. Sometimes going dancing makes the cut, sometimes it’s filing, but it is specific. When the week flew by, I scanned to see what I had accomplished in my solitude and what I learned.
The difference between busy and productive will determine your level of success and they can work together if you know how to work ‘em. As a Realtor, writer and single mother, time management skills are critical to the balance of my business and my soul (not to mention keeping the kids alive and on time). Though I still don’t quite believe that time can be “managed”, my days are now color coded and time blocked according to priority, with a bit of flexibility dashed in like salt. I learned to do this during a productivity program created by Darice Johnson called Efficiency by Design . Though I fought it at first, I found that when I imposed structure I discovered enough “type A” in my artistic personality to produce results within multiple income streams. Let’s take a look into our elegant mono-tasker, the honey bee.

1. Busy is busy but counter productive. Unless you’re a bee. Think about the last time you spoke to a friend who answered the question, “How are you?” with “Oh god, I’m so busy”, only to regale you with tales of the cat and the vet, enrolling the kids in school and quarterly taxes. Now each of these tasks will keep you busy and they must be done but the results they produce have their benefits: avoiding jail time, dead cats and smarter children, but they fall under the category of life maintenance.
2. Productivity produces. Especially If you’re a bee. If the aim of business is to make money, all related tasks must lead directly to direct deposit. It’s easy to lose sight of this in all of the busyness, especially if you work from home. As I watch the laundry pile up, I must remind myself that “I launder, therefore I am” ain’t gonna buy new socks when they disappear.
3. Busy lies like a mirror. You think because you haven’t stopped moving, you’ve actually accomplished something but when you take that hard look at the list (or the mirror), you find it doesn’t quite look like you imagined.
4. Busy and productive can co-exist. If you are clear in your definitions, aware of your actions, and a bee. The key here is to focus on the flower. When the honey bee flits from flower to flower she has one intent, one overall purpose; gather pollen, feed the larvae. There is no extraneous action here, no gabbing on the phone about the cat. Even the drone has one purpose, to mate with the queen, though I must remind you that because their sole purpose is to screw around they’re the first to go when the colony’s low on food. Your average female honey bee is highly social and communicative, relaying direction and distance to pollen sources (obviously this is why they don’t bother much with the drones), and in a prime example of mutualism, spreads the wealth and the pollen of creativity to the rest of the world as she stays focused on her goal.
5. Bee intentional. Nature provides seasonal deadlines for the Apidae family, I must create them for my own. Since I began time blocking my productivity has increased, while my busyness (and stress level) has been cut in half. As a Realtor, my productive time (lead generation and conversion) leads to the busy time (contract to closing) and they must constantly be kept in balance. As a playwright, I depend on deadlines to insure that time is scheduled into my week and there’s nothing like a public reading or pending production to keep my ass in gear. So how do I do it? When I’m in the time allotted for a task, it is all I do. Period. No email, no phone call (except from the school) interrupts which makes it easy to relax into production mode because I know that the next thing belongs to the next time slot. It is the next flower.
So take a tip from those who make life much sweeter, take flight and Do-Be-Do-Be-Do my friends!

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Tracy Shaffer
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Your Creativity is Your Greatest Asset

Creativity is the strongest force on earth; artists, visionaries and innovators lead us into the future. We’ve got some mad skills that actualize potential where others may only see what is possible.  Be sure to click on the Thriving Artist Alliance page above and I’ve created a lovely video to inspire you. CLICK HERE TO WATCH

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Tracy Shaffer
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Blow Out Your Birthday Candles, Paragon!

It’s been more than ten years since the evening I spent in heated conversation with a small group of theatrical dreamers. Actor/Director, Warren Sherrill, had just dragged me back onto the boards, directing me in a production of “Marvin’s Room” at the Denver Civic where I was blessed to share the stage with the lovely, talented and wittily acerbic Carolyn Valentine. That’s what put me in the room. The first meeting took place around a dining room table in southeast Denver; me, Warren, Lisa Rucker (Moon for the Misbegotten), and if I had more memory I’d recall who else was there (apologies, it’s been ten years;). Michael Stricker and Barbra Andrews were en route from Chicago after a bit of time working with Steppenwolf, but their praises were sung loud and clear. The result of this and subsequent meetings was what we now know at the Paragon Theatre Ensemble.
From a dining room table, to a dream, Paragon has built one of Denver’s premiere theater companies, growing their work season after season, maturing into perhaps the most consistent mid-sized company in Denver. When they began, our theater scene was quite different. Stalwarts of the day have closed, upstarts who planted seeds were blown away as many well intentioned theater groups found the artistic soil far too rocky to take firm root.
Paragon began with a clear vision, a modest business plan, and a high work ethic, then set out to produce quality theater which allowed them to carve out a niche for themselves in Denver theater. They saw a need and the over-filled it. The level of talent in the acting and producing company and the detailed professionalism in their planning and rehearsal process, the careful way they’ve cultivated their acting and directing pool have put the fun and the function into the dysfunctional family that is a theatre company.
Paragon is the only Denver company to present staged readings of works by Colorado/Wyoming playwrights in their Trench series, and they go a step further by considering these plays for full production. Two of my scripts, (w)hole, Saints & Hysterics, have been produced by Paragon through this process, as well as a play by Ellen K Graham. It takes guts to produce new works; it takes balls to produce new work by local playwrights.
Paragon has continued to build momentum by offering a blend of classic plays and edgy new pieces. Over the past few seasons, they’ve included a Equity guest artist contract in their season, bringing Denver Center fav, Sam Gregory, some of the most delicious roles. Hopefully the Equity idea will continue and expand.
On Saturday the 25th, Paragon will be holding their 10th Anniversary with a ‘gala’ (love that word) celebration at the Garner Galleria Theatre at the Denver Center for the Performing Arts. Part presentation, part profit, and all party, that’s my take on what the night will bring. Perhaps the hardest working, most fun to play with group of theater artists in the metro area, the Galleria may be the place to be come Saturday night.
Personally, I plan on moving from that dining room table straight up to the bar in celebration of a great decade of theatre. I’m a sucker for a success story. Hats off to you, Paragon Theatre Ensemble, congratulations on a decade of great work. Now put your lips together and blow~
tickets available at www.paragontheatre.org

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Tracy Shaffer
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“American in Hiding” comes to Telluride

American in Hiding, a bracing new play by Tracy Shaffer, will be presented as part of the 2011 Telluride Playwrights Festival “American in Hiding”, says Shaffer “is the story of an America family, taking refuge with friends in Amsterdam after Thom slips on the soapbox of his professorial profession. Unable to contain his ego, he sets himself up in Dam Square, ranting the hypocrisies of his homeland and how far she’s come from the Utopian dreams of her Founding Fathers, without realizing that his actions dictate a risky future.”
This year marks a departure for the Festival. Rather than soliciting submissions from a national pool of writers, Festival Director, Jennie Franks shifts her focus to ‘growing local’, nurturing the talents of Rocky Mountain writers and dipping into the Denver talent pool for her lead actors. TPF will mix it up a bit this year: Ms Shaffer’s script receives a week of rehearsals & revisions with a public staged reading at week’s end with audience feedback. Acclaimed playwrights, Judy GeBauer, Ellen K Graham and Gary Leon Hill (who joins after a week at the Seven Devils Playwrights Conference) work their scripts in open workshop (public welcome), salon readings and read excerpts in the evening Play Slam at the Steaming Bean. The Telluride Playwrights Festival will become a producing/presenting entity this season as it brings a fully staged production of William Missouri Downs’ “Forgiving John Lennon” into town from the University of Wyoming where Downs is a professor. Telluride Playwrights Festival takes place July 12-18.
Telluride Inside writer, Susan Viebrock, described it this way.

The Telluride Playwright Festival operates like grow dome for fruits and veggies: brand new plays are watered and tended in a safe environment. After they grow and flourish, they are sent out into the world to be enjoyed. Larimore’s “Out of Askja” is one of a number of fine plays that were transplanted from Telluride to fertile soil around the country. Tracy Shaffer’s (W)Hole, also a Playwright Festival alum from 2008, received raves from The Denver Post critic and other rags when it was produced this past fall at Denver’s Paragon Theatre. Next spring, James Still’s play “Love Me Some Amnesia,” one of Playwright Festival’s picks for a 2010 staged reading is scheduled to be produced in Chicago at the American Blues Theatre. And so on.

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Tracy Shaffer
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DEATH, FACEBOOK & THE NTC: close one door, open another

I have a feeling that except for my inner circle, most of the people who know me will learn of my death on Facebook. I’ve heard of two such loses this week as the Denver theatre community bids farewell to two beloveds. First it was Renye, a much loved artist who fell to cancer and days later the death knell of the National Theatre Conservatory. The one is inexplicable, the other begs for answers and I, the optimist, believe there is re-birth at hand.
The NTC was former Denver Center Artistic Director Donovan Marley’s baby; his vision for sustaining the future of the American Theatre through the impeccable training of the actor. It brought much to the then fledgling Theatre Company and far more through the years. Having bright young talent in our midst has kept us young and connected to why we began our own journeys in this profession. The impact the alumni have had on the world of and beyond Denver is impressive; I’m blessed to have known so many of them.
From the outside this feels like a drastic step. But in the post 911 years I’ve watched the adjustments made to production budgets, the job cuts and their duties consolidated in an effort to keep the Conservatory alive within a difficult economic climate. Though I cannot explain their decision, I am certain that the “Powers That Be” within the DCPA considered the options carefully before slashing this jewel. Like many have noted and all of us hope, perhaps with the National Charter, it may find rebirth.
As a Realtor in this market, I know that change is constant and things in the Denver theatre community have changed. Under the vision of Artistic Director Kent Thompson a new nurturance of artistic talent is taking place at the DCTC as the New Play Summit bears witness. I am not sure it’s fair to say that the future of the American Theatre is enriched more by investing in acting talent than in writing talent, for the nurturance of artistic voice and vision further our society regardless of the medium. God knows I’m not in favor of closing the NTC, but let’s not take our eyes off of the good that IS happening here. A fearless and risky commitment to the development of new plays is nothing to sniff at. In fact, finding new stories and discovering new ways to tell them is surely the best way to ensure the health of the theatre and the employment of all of its artists.
For years I heard an endless drone of white noise grousing about how the Denver Center was hermetically sealed to local talent, but that too has changed. Through the efforts of Mr. Thompson, Bruce Sevy and former DCTC casting director Sylvia Gregory among others, many talented Denver actors have been seen in plays and employed by the Center in the past few years. A great deal more interest has been paid to our talent pool and I believe that we’ll see more.
So rather than seeing only loss and feeling anger, perhaps we should stay focused on the gifts we’ve been given and the rebirth ahead; for Renye, and for the NTC. And if you hear of my untimely demise via Facebook, keep the wise cracks to a minimum. Or better yet, keep ‘em comin’.

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